16 January 2019 - 11 Shevat 5779 - י"א שבט ה' אלפים תשע"ט
Arts & Culture
Israel partners with International Film Festival of India E-mail

Israel was selected as a participating partner in the 49th edition of the International Film Festival of India (IFFI), held in November in Goa. For the first time in the history of the festival, Israel was the “Country of Focus”.

A delegation of leading Israeli cinema personalities, including popular actor Alon Aboutboul, attended the festival. Ten Israeli movies were screened during the festival, and the opening film for IFFI’s Country Focus Section was The Other Story by Avi Nesher.

Other well-known Academy-nominated films on the programme were Footnote, Waltz with Bashir and The Bubble. Newer films showcased were Unorthodox, Red Cow, Working Woman, Longing, Redemption and Shalom Bollywood: The Untold Story of Indian Cinema.

The filmmaking industry in Israel has undergone major developments since its inception in the 1950s. In the past few years, Israeli films have won prestigious awards, and have been nominated in the Best Foreign Language Film category at the Academy Awards. Israeli filmmakers produce films on themes that appeal to the global market, and Israel, known by many as “the startup nation”, is home to cutting-edge technologies in animation and film production.

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Israeli films showcased in Nepal E-mail

The Embassy of Israel in Nepal, together with GATE College – Global Academy of Tourism and Hospitality Education, brought Israeli vibes to Nepal via the 12th Israeli Film Festival from 2 to 4 November.

The films were screened at QFX Cinemas, Chhaya Center, Thamel, Kathmandu. Entrance was free to the general public.

An opening ceremony at GATE College, Mandikhatar, Kathmandu, featured the screening of Presenting Princess Shaw, a documentary by Ido Haar. In attendance were Rabindra Prasad Adhikari, Minister for Culture, Tourism and Civil Aviation, and popular Bollywood actress Manisha Koirala.

Minister Adhikari said: “I am very pleased to see Nepal-Israel relations rejuvenated at a cultural level in addition to political, economic and technological sectors. Films are mirrors of contemporary society, windows to look into self and telescopes to envisage the future. Nepali viewers will get to know about Israel and its historical, religious and mythical values and assets via these films.”

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Hong Kong Bach Choir presents a tale of two anniversaries (with a Hong Kong twist) E-mail

In a banner year for musical anniversaries, the Hong Kong Bach Choir (HKBC) will focus on two of the most important anniversaries as it opens its 2018-19 season with music commemorating the lives of Leonard Bernstein and Gioachino Rossini – adding a post-modern bouquet of celebratory flowers by Hong Kong composer Ip Kimho – on 6 December at the Hong Kong Cultural Centre Concert Hall.

Bernstein was the protean genius of 20th-century music. Composer, conductor, pianist, educator and all-round cheerleader for music, he was among the best-selling performers of the post-war scene, his music bridging the divide between “serious” and “popular”. In this he was the ultimate successor to Rossini – the Duke Ellington, Elvis Presley and Andrew Lloyd Webber of his day, all rolled into one – whose operas brought elites and proletarians together in the theatre even as they fought revolutionary battles in the streets. In other words, Rossini was the 19th century’s Leonard Bernstein! (Bernstein’s popular Overture to Candide even mimics the form of Rossini’s opera overtures.)

To commemorate the 100th anniversary of Bernstein’s birth and the 150th anniversary of Rossini’s death, the choir will present Bernstein’s beloved Chichester Psalms, commissioned by an Anglican cathedral in England but setting the original Hebrew texts from The Book of Psalms: a triumph of ecumenicism in the midst of the tumultuous 1960s and a mark of Bernstein’s ever-present Jewish consciousness.

Chichester Psalms is paired with Rossini’s final masterpiece, the Petite messe solennelle, which he composed as his ticket to Heaven. As he wrote on the final page of the manuscript, “Dear Lord, here it is, finished, this poor little mass... Blessings to you and grant me Paradise.” And no doubt he’s there now, listening with pleasure.

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