14 April 2016 - 6 Nisan 5776 - ו' ניסן ה' אלפים תשע"ו
JTA NEWS :
Moller Villa reflects the old Shanghai lifestyle E-mail

If you plan to visit Shanghai, there is a building that you should not miss. Its official name is Moller Villa, named after Eric Moller, a Jewish resident of Shanghai in the early 20th century.

Located on South Shanxi Road in the former French foreign concession area, Moller Villa is a sight for sore eyes. It may seem out-of-place to the virgin traveller. In the midst of modern apartment buildings, shopping centers, and a lot of traffic noise—this villa is a tranquil place of relaxation.

According to local legend, Eric Moller built this Villa for his beloved daughter in 1936 after she had conveyed her dream of having a fairytale castle. Moller was a SwedishBritish merchant who first came to Shanghai in 1919.

After much success in the shipping business, he became well-known in Shanghai elite circles and a member of the notorious Shanghai Race Club. He invited many different architects to design the Villa to become his own private residence. The end product is a hybrid-fusion style that includes Western and Eastern architectural elements.

The building today still stands in its original condition, protected by the local Shanghai government. At the entryway to the villa, there is a plaque that explains its current status in Shanghai. The plaque states in English and Chinese that it is an “Important Monument under the State Protection.” Not bad for an almost-decade old foreign structure.

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Carmel Caves added to UNESCO World Heritage Sites E-mail

The Carmel Caves in northern Israel were recently added to the list of World Heritage Sites in the country by the United Nations Educational, Scientific and Cultural Organization (UNESCO).

According to UNESCO, the Carmel Caves provide a definitive chronological framework at a key period of human development.

Situated on the western slopes of the Mount Carmel range, south of Haifa, the site includes four caves. Ninety years of archaeological research have revealed a cultural sequence of unparalleled duration, providing an archive of early human life in south-west Asia.

The area contains cultural deposits representing at least 500,000 years of human evolution demonstrating the unique existence of both Neanderthals and Early Anatomically Modern Humans within the same Middle Palaeolithic cultural framework, the Mousterian.

Evidence from numerous Natufian burials and early stone architecture represents the transition from a hunter-gathering lifestyle to agriculture and animal husbandry.

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Israel Museum presents ‘Collecting Dust’ E-mail

This winter, Israel Museum launches a series of exhibitions that spotlight a roster of internationally acclaimed and emerging artists from Israel, in the greater context of the international contemporary art scene.

‘Collecting Dust in Contemporary Israeli Art’ examines the work of fifteen artists who transform dust into contemporary works of art exploring temporality, memory, and Israel’s environmental landscape. There will be four separate exhibitions in four months showcasing this theme. The exhibitions are on view from 3 December through 5 April, 2014.

On display is the first-ever retrospective of Gideon Gechtman, who explored how art can act as a posthumous memorial. Also on view is the first solo exhibition in Israel of Mika Rottenberg, whose work examines the role of women in society and the repercussions of an increasingly digital world. The pervasive presence of dust – as matter or metaphor – is the thread that connects the works on view in this exhibition.

‘Collecting Dust’ presents 45 works from the last decade by Israeli artists active in the fields of painting, photography, installation, and video, among them Ilit Azoulay, Gilad Efrat, Irit Hemmo, Dana Levy, Micha Ullman, Gal Weinstein, Sharon Ya’ari, and Yuval Yairi.

Gal Weinstein’s Dust Cloud series (2009), which opens the exhibition, presents clouds of volcanic ash using steel wool in a sequence of quasi-scientific images that develop towards a threatening climax.

In his photographic Rashi Street series, Sharon Ya’ari focuses not on the vibrant city of Tel Aviv that constantly reinvents itself, but rather on the fumes of demolition and thunder of urban renovation.

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